![]() In addition, the chapter also questions the significance of the male gaze within contemporary horror. The second chapter considers the extensive use of stereotyping and focuses on texts that specifically reconsider these ideas. ![]() The first chapter argues that modes of distribution and marketing strategies are vital in providing room within the genre for a larger female audience, and thus reworking the assumption that horror mainly caters to men. This dissertation explores the genre through the chapters of distribution and marketing, stereotypes and sexual violence and the maternal image. This Undergraduate Major Project examines the various ways in which gender has been represented and reworked over the last ten years within horror films and televisions shows, arguing that the genre has progressed and continues to progress subverting the gender conventions upheld by the genre.
0 Comments
Leave a Reply. |